I was wandering home after a delicious meal at a French bistro in Soho last night when I was confronted with this shocking window display in the shoe shop Kurt Geiger on Regent's Street (the store was worryingly close to Hamley's).
As this image demonstrates, the mannequins were lying on their backs with their legs spread high in the air (modelling the frightful shoes) indicating a provocation for sexual intercourse. They were dressed in corsets and bras; some were wearing no knickers.
But it doesn't end there. Inside the shop, visible straight on through the store's glass door, was a electric neon light 'Peep Show' sign that read "Great shoes available downstairs' - ultimately likening the the sale of sex to purchasing some pretty disgusting, over priced strappy sandals.
It was awful. In the middle of central London / a tourist area / next to England's most famous toy shop. Sexist stilettos, misogynistic mules, lecherous loafers... what's next?
It completely ruined my coq au vin, which I can tell you now was jolly expensive for a supposedly rustic French dish.
Does shopfront sexism know no bounds? We need to take that jump out of its step.
I have just been skyping Emmeline (she's at an opera festival in Armenia) and the following just popped up on my screen:
European and American women are too arrogant for you? Are you looking for a sweet lady that will be caring and understanding? Then you came to the right place- here you can find a Russian lady that will love you with all her heart. Can't find a queen to rule your heart? How about beautiful Russian ladies that have royal blood and royal look? Here you can find hundreds of portfolios of these fine women of any age for every taste. Please excuse us if you are not interested.
Can you believe it? I can't believe sexism can travel this far? No I am NOT interested, and just for your information Russia IS in Europe you misogynistic wart. Needless to say I have initiated anther campaign against these male war mongrels. I have been prank calling them on Skype all afternoon with a voice generated message saying:
Vladamir Putinmakes me sick and Lenin had a tiny brain.
If that doesn't get their goat then I don't know what will! Female (European) wit rules supreme once more (and no, I don't want to marry you, internet pervert).
18 Apr 2010
En garde!
I would like to draw your attention to marvellous blog post on Joan of Arc - a key symbol of the American Feminist movement.
"The Suffragette Movement’s Use of Joan of Arc’s Image
Joan had been an important symbol of American patriotism since right after the Revolutionary War, when an Irish immigrant named John Burk wrote a play called “Female Patriotism Or the Death of Joan of Arc.” By 1912, Americans were quite familiar with Joan’s stirring exploits. For any citizen who had missed all the books, plays, and works of art, Ringling Brothers toured that season with a $500,000.00 extravaganza that boasted 1200 actors and sensational special effects.
The following year, Americans marched on Washington, demanding that the Constitution be amended to grant women the right to vote. Suffragette parades in England had been led by a woman dressed as Joan since 1911. United States women happily borrowed the tradition for the Washington march: the Women’s Suffrage Procession featured a progressive attorney named Inez Milholland mounted on a white horse."
Of course they did- I myself have often mounted a white horse to various friends' fancy dress parties. Although arriving on my trusty steed to Melody's nautical themed 21st birthday party was admittedly a little bit tenuous.
The post has actually inspired me to research what symbols my Rider ancestoresses used in their various campaigns against the male race. I plan to psychoanalytically link their favourite animals to their various personality aspects using the Jungian concept of anima.
Of course my psychiatrist friends tell me that the two are totally unrelated - but I shall prove them wrong! x
My Aunt Lily once said that theory is like the backbone of fish swimming down the river of life. I quite agree and I, like a strong willed Tench, have vertebrae packed full with the goodness of precocious thought. Indeed the other day I started thinking the prejudice attached to women consuming greasy food. The result was themistresspiece below, which would make even Baudrillard blush.
I include the hefty essay 'Women and Kebabs: An Orientalist Perspective' below for your viewing pleasure. After reading it I'm sure you'll be puzzled as I was upon discovering that it was rejected by the Feminist Review. Philistines!
Women and Kebabs: An Orientalist Perspective
Although it was dark at the time, the other night I started to see the world in a whole new light. I was out with some friends and after several rounds of very strong lychee martinis and a bop around the Groucho club I felt it was time for my ceremonious Saturday night kebab.
I have always loved kebabs. At university ‘The Kebab King’ van was permanently parked outside my halls of residence, and even when I once found a little piece of blue plastic in the meat, I kept on eating the stuff; just grateful in the knowledge that I hadn’t choked to death. But on said night, and of mildly discombobulated mind, my decision to order a large lamb doner was not met with mutual adoration.
“Are you seriously going to get a kebab? That’s gross!” my male friends preached, (and these are heterosexual alpha male type men). “We’re just going for the burgers.”
I had to ask myself the question: what’s so wrong with women eating kebabs? In fact the more I thought about it kebabs have become a kind of self-defence mechanism for me. I don’t mean in terms of binge eating or bulimia, lord no, but as a weapon to ward off over-enthusiastic males. I often find that an awkward moment at the end of an evening can quickly be distilled with the words “Cor I could murder a kebab!” Men just don’t like it, and quick to follow male dislike comes the rest of society.
Information in the press about the unhealthy properties of kebabs is all too often framed in references to women’s health. Of course they aren’t good for you. They can contain up to 140g of fat, which is twice the maximum daily allowance for women, and the calorific equivalent of a wine glass of cooking oil. Yet women in particular are penalised for eating them. For instance Kerrie Catona was recently lambasted for eating (quote) ‘a mammoth kebab laden with lashings of mayo after a night out with a female pal in Blackpool’. The Daily Mail was disgusted when the ‘mum-of-four happily scoffed down the unhealthy feast, despite vowing to shed weight after unflattering pictures of her on holiday were printed recently’. Similarly when Jacqui Smith was criticized for announcing that she would not feel safe ordering a kebab in Peckham, one has to ask whether she was disliked for her dismal inappropriateness, or for the fact she likes kebabs?
Okay, so kebabs aren’t good for us and that’s why they’re frowned upon, right? Wrong. If Foucault has taught us anything it is that life’s just not that simple. My friends don’t grimace when I order chips or a jumbo box of chicken wings. In fact when I (occasionally) smoke a Vogue cigarette they think I’m the coolest lady in London N1. From Eve onwards a woman’s relationship with food has been riddled with complications and this is just another far too complex rant about what they might be.
Feminists teach us that one reason women are scorned for indulging in unhealthy foods is because piling on the pounds directly interferes with their so called ‘bodily maintenance’. Shows like You Are What You Eat (C4) starring the witch-like
Scot, Dr. Gillian McKeith, are perfect examples of how the media regulate the female body and force subjects to abide by the rules of dietary control. What’s more, these programs are often violent in their regulation and frequently televise white working class mums being shamed by their middle class rivals (think Trinny and Susanna) for their obesity and for pushing the disease upon their children. In short they are blamed for not understanding the basic principles of nutrition. Now I don’t approve of obesity, but I understand that being fat is rarely a straightforward question of ‘choice’. I was lucky enough to have been raised by an Auntie who was a marvellous cook and grew her own vegetables, so from a young age I was taught how to maintain a healthy balanced lifestyle. However, there are some who are just not so fortunate.
In fact ‘make over’ programs such as these are distinctly post-feminist in their outlook, purporting a view of femininity that depends upon women having consumer power, i.e. enough money to buy their organic apples and free range chickens from M&S. In this respect eating bad foods not only demonstrates an inability to regulate ones body, but also implies a lack of education and consumer capital. One could argue that the kind of food you eat symbolizes your degree of social privilege. For instance: Grouse / upper class; Sushi / middle class; Burger / working class. But what of the kebab? It is a dish so badly frowned upon that it must represent more than simply being working class. But what?
In order to understand the stigma of a woman eating a kebab we must first consider its history. The word ‘kebab’ refers to a number of meat dishes in Arabian and Eastern cuisines. Do these eastern origins have something to do with the disdain surrounding its consumption? In his seminal study Orientalism, Edward Siad taught us that images of the east are social constructions that reflect the values of the voyeur as much as the viewed. A long line of feminists have traced links between western concepts of femininity and Orientalism and I believe that understanding the relationship between them could hold the key to unlocking the secrets of Kebab Stigma.
In a fascinating study called Beyond the Frame Deborah Cherry explores the relationship between orientalism and female subjectification in the 19th century. Cherry makes the persuasive argument that the expansion of the British Empire during the reign of Queen Victoria introduced alternate cultures into Britain and this new ‘imperialism’ from overseas provided a physical and refreshing open space for British women to develop alternate modes of femininity. The introduction of Orientalism, Cherry argues, offered 19th century feminists an opportunity to redefine themselves by allowing women to depict their emancipated modernityin contrast to the subservience of ‘native’ women. In fact the occidental trend to dress in Ottoman-inspired clothes became so popular amongst ladies of London that they started stocking them in Liberty's. The juxtaposition between the occidental ‘Other’ and the Western woman allowed feminists to express their independence and defiance. It granted them a social and artistic space within which to act by flouting convention without being improper.
“So what does all this have to do with kebabs?” I hear you ask.
According to my argument, eating a kebab isn’t just about eating a fatty piece of (very tasty) meat in between two slabs of pitta, nor is it’s condemnation based simply upon its high calorie content. Rather the eastern promise of the hearty kebab, which makes it an explicitly non-western food type, means that it acquires a symbolic value that challenges norms within our own society. It is the ‘Other’ of takeaway food types. Yet at the same time the kebab is not only ‘Othered’ simply because it is from abroad, but because, as I have previously mentioned, it is a means of flouting bodily regulation. Scoffing one down also challenges the post-feminist ‘norm’ of the white middle class woman by associating its eater with the working classes. In this respect its condemnation resides in its symbolic status as a food type that functions as a deliberate means of flouting social convention. Think about it: is eating a kebab that different to donning an Ottoman dress and walking round London in the 19th century? They are both foreign and, at times, shocking. But more importantly they are both statements that challenge preconceived notions of western femininity.
It is precisely the foreign Otherness of the kebab, its Orientalism, which makes it the most self-conscious type of fast food. Unlike its American cousins the burger and southern fried chicken, the Otherness of the kebab make its unhealthiness function as a symbolic expression of defiance, as women consciously indulge in corporeal deregulation. Kebabs are self-functioning symbols of her choice to defy these norms. In other words when I get a kebab I am not only associating myself with the malpractice of poor bodily regulation (and subsequently of being working class / poorly educated), but I am positioning myself as a free agent openly ascribing to its means of social defiance. Eating a kebab is like sticking a finger up at society; filming it and then playing it back to society with you in the audience (and if you don’t get post-modernism after that metaphor then you probably never will).
We must take this time to honour the kebab. For it is Othered as women like us are also Othered by the media, by misogyny and even by other women. The kebab represents all of this and more. In eating it we are consciously swallowing down all that is frowned upon. It is the martyr of food types, and so we must show it respect. Go forth, eat, and when you do eat with pride (but don’t have too many because you will die from high cholesterol).
I just ever so quickly wanted to once again critique the ruthless chauvinists at the BBC. Just when you thought it couldn't get any worse, sexism rears its ugly head once again, this time in the form of a documentary about young feminist activists which seems to think its O.K. to imply that we have some sort of mental problem!
Now, anyone who knows anything will be well aware that I suffer from acute nervosa, i.e mental breakdowns, but this has very little to do with the fact that I tend to hate men, or, more specifically, patriarchy. Indeed, it is a loathing that gives me strength in times of need. For instance, I was once about to buy a kilo of sleeping pills in my local Sainsbury's when I spotted a copy of Nuts! magazine, which sent me into such a steaming rage that I soon forgot my original purpose.
The documentary went oh so much further, however, by suggesting that feminist women have some sort of problem. This was made as obvious as the sea by documentary maker Vanessa Engles, who snooped around asking parents: "And what do you think started these malicious thoughts in your little girl?" Piss off Vanessa! No one wanted you at their feminist meetings, filming with your nosy camera, they just wanted to be on the telly. PISS OFF!>
The only problem I suffer from is 'seeing too much', just like King Lear.
Hail lady readers! Finally those bigoted southern (north) Americans have succumb to the power of sappho (pictured to the right)! The lesbian who wanted to take her girlfriend to her high school prom wearing nothing but a suit and a 'knowing smile' has won her case. It was ruled to day that the evil institution had violated her human rights (note the non-gendered use of 'human', yes).
It reminds me of a not too dissimilar affair that occurred my middle school, St Agatha's of the Gaping Bosom's school for Young Ladies, when I wanted to direct a rendition of Macbeth using a lesbian couple to portray the indefatigable relationship between the lady Macbeth and her protagonist war-lord husband. However, apparently it was "too ahead of its times" and "would upset the audience", particularly the dildo scene.
Isn't it lovely? And it's MINE, by ME! Hooray! Many thanks to the chivalrous, man-about-town, Mr. Harry Godwin Esq. of The Arthur Shilling Press for taking a chance on a gal like me. I truly am the happiest gal in town. Pink fizz for all.
Details can be found at The Arthur Shilling Press website - obviously my books have sold out all at once, flying off the shelves like the proverbial 'hot cake', considered to be a cross between a scone and a pain au chocolat, but live in hope, readers who may have missed out. Fingers crossed for a pdf, or get in touch with Hal or I for a sneaky e-look.
From Pots to Pot and then back to Pots Again, my third historical endeavour after Persephone: The Musings of a Woman in Perpetual Despair, which won the Britney Spears prize for Creative Writing, and of course my seminal debut, The Suffragettes- Why?, is soon due for publication and I am so excited! Just as I was suffering under the burden of my annualistic offering being delayed I suddenly pulled myself together and said:
"Posie wake up! You need to finish that three thousand page historical pamphlet charting the feminist movement from the the ancient civilization of Ur through to the present day using the medium of pots!"
Of course publishers, labouring under that putred beast we call commercialism, weren't interested in the manuscript, but luckily I have enough money to print 700 copies just for me and my close friends. It's really rather facinating and I have sent an extract to the sublime Knockback magazine. People often say to me, “Women and Pots? Wow. How could you take on such a grand endeavour?" Well I tell you now, it wasn’t easy. Being a lady Feminist really does take its toll. Not only do I have to take the occasional call from my bank manager informing me that my notoriously large trust fund has once again trebled in size, but I am often forced to sit around the house all day doing absolutely nothing except trying on all my dresses and then not going out in them, before once again settling down to save womankind using nothing but a a bottle of Martini Rosso and an overactive imagination.
So look out for my latest work and if you would like a free copy just email me! Toodles! xx
Halt, lady readers, don't book your hostels in Cambridge just yet, as the Valentines launch has been postponed. This time, it's not because I tried to kill myself, but due to publishing technicalities. I'm not bitter, but I do wish I had a bloody boyfriend. Oh the world of a lady writer! Speaking of Lady Writers, in 1925, Scottish Lady writer Willa Muir penned Women, An Enquiry, in which she frustratingly linked the Freudian unconscious with the female gender, and the rational, decisive consciousness with, you guessed it, men. Now, far be it from me to support gender essentialism: I've met plenty of Transfolk and I tell you, it's definitely not as simple as all that. Some mornings I don't feel anything like putting on a bra, and my formidable skills at Scrabble alert me to the fact that frequently I am able to be perfectly rational and on top of things, unlike poor Willa Muir who thought that women were given an important 'creative outlet' in motherhood to match all the fun inventions and science the boys got to do. Silly bitch. The irrational, spontaneous and emotional outbursts of the unconscious/women could, Muir claimed, be channelled creatively and supply society with valuable growth, vitality and humanism, something which starchy men, trapped in their mechanical functionalism, were unable to supply for themselves (for some reason).
Generally, I disapprove, but when it comes to publishing schedules, perhaps Muir was right about women's inherent inability to meet deadlines. Now, one publication which definitely did get off the ground successful was Issue 2 of the Cambridge Literary Review which launched last night in (you'll win a pair of my knickers if you guess it successfully ...) yes that's right, Cambridge! I was trapped in familial pow-wows last night with Aunt Lily over what to do with vast chunks of the family 'fund' which were invested somewhere truly ghastly which might not exist anymore (further proof of our gendered inability to cope with masculine rational constructions, I'll thank you Helene Cixous). The outcome of this was that I missed the launch, which promised to be a good one, with readings from tender Valkyrie Marianne Morris and Tony Robinson from Time Team! I was very glad to have a poem I composed in honour of fleur du mal, Tom Chivers included, and to be able to represent the gritty London scene in the formidable, ivory cloisters of Cambridge, like a female Jude the Obscure, although of course I still use my cantab.net address occasionally.
Do please check it out. Finally, many apologies to those who turned out to see me at the Edinburgh Student Fringe Festival's feminist poetry event, Shout Out! on the 18th Jan, where I had intended to read. After walking around an intimidating student union, full of 'young people' and scores of the sort of idiotic girls who are produced like Sea Monkeys every time a new 'mega-trend' takes off, this time wearing fake fur jackets and palpable Topshop irono-novelty brogues, I chanced upon a sign which made me realise the reading had in fact taken place the day before. Proof, if proof is necessary in your gendered framework of fixed texts and unambiguous language, that women are subject to what Julia Kristeva calls feminine time, which is circular, reproductive, and eternal, in contrast to masculinity's linear, teleological time and its association with culturally valued 'progress'. I contend that if the poetry reading had been feminist, it would still be going on now.
The mind is a complex organ, and try as they might, clinical psychiatrists have yet to concoct the correct combination of suppressants, stimulants, narcotics and anti-hallucinogenics to remedy its many, many disturbances. Sound like you? Then you're just like me, and will love my new book!
A Year off the Ward, soon to be published with WPR Books, charts a year in which I attempted not to get sectioned under the Mental Health Act, or because I was stalking someone. My loyal readers will be glad to know my valiant attempts to stay ostensibly sane are finally being bundled into a collectible tome, and they will have been with me throughout the journey via my blog, a garbage heap of the mind like no other. Anyone remember September 2008-August 2009? Let me jog your memory in my book!
And, if you happen to be in Cambridge on the 14th February, you can come along to the launch. It's at Heffers! More details to be announced as I'm currently in frenzied chats with my publishers to ensure the book is in tip top condition, and that I make sure its in proper sentences before I commit it to PDF.
Find below a sneak preview to wet your dripping appetite! It follows the first few weeks of January 2009, when I tried to overcome my mental disturbances by improving my body image through strategic anorexia, and learnt some important lessons about feminism on the way.
“Taught from infancy that beauty is woman's sceptre, the mind
shapes itself to the body, and roaming around its gilt cage, seeks
only to adorn its prison.”
Mary Wollstonecraft
I returned to N1 full of Christmas cheer. A fortnight in Aunt Lily's cottage had reminded me of a kind of happiness I had forgotten long ago, weighed down by the perils of modernity and psychosis. I dread sentimentalising the domestic, but there is something so comforting about spending one's days on brisk Hampshire walks and one's evenings roasting Ladurée mincemeatmacaroons over an open fire while Aunt Lily microwaves yet another Marks and Spencer Turkey Crown with extra stuffing. Hitherto, I had thought of kitchens as essentially vulgar things which are best buried in the depths of a copious town house and populated with willing staff able to whisk up a chickpea bake and send it flying up a dumb-waiter at the ring of a midnight bell.
Now, however, I found myself craving the aesthetic qualities of the Arga as much as I once yearned for the Georgia O'Keefe printed screen that currently shields the entrance to my modest cuisine from prying eyes. A great change had come upon me. I went online and started a twelve month subscription to Country Living. I packed away my more outrageous (and blood splattered) wall decoration in favour of distressed pine and vintage cross-stitch baby primers from Islington antiques market. I bought holly and mistletoe and put them in a blue chipped enamel watering can and soaked my white Habitat sofa in tea to make it looked antique, like I did as a child in a school project on the Magna Carta and, most troublingly, I started baking.
It all started with Christmas Gingerbread Partridges, a kind of crisp cookie made with a hand-crafted copper cookie cutter and decorated with delicate icing designs. It was another one of Aunt Lily's great ideas, like taking mescaline at my parent's funeral. The partridges wereintended to be tree or package ornaments, or decorative gifts for friends I'd missed over the holiday period. Having no friends as such (except Lara, who's a bit too grown up for that sort of thing, and Melody, who's afraid of pigeons, which are a bit like partridges) and no tree, as I had no burly boyfriend to bring it in, and am not a post-feminist after all, I found myself at a loss as to what to do with all the things. They were so, so hard (like rocks), so I didn't dare attempt to eat them. At first. Soon I had discovered that, if soaked in tea, coffee or any hot liquid, they eventually softened to an edible consistency. At 5.0g of fat per partridge, and with little to do between New Year and Pancake Day, it wasn't long before I'd transferred my mental turmoil to my thighs and, whilst trying to run away from the ward with a basket full of gender-normativity under my cook's arm, I had in fact booked myself a ticket straight back to the ward aboard a special convoy vehicle like the ones they use to transfer the obese around airports. ......... to be continued!
I've left the slushy doom of London for Hampshire with Aunt Lily. She avoided the dangerous roads by saddling her prize pony, Emily Davison, and sending her to the station to meet me - such a clever pony. I can't ride, unfortunately, having had a series of equine dreams as an infant which my psychoanalyst attributed to penis envy - since then, horses have always struck me as inherently patriarchal, even when ridden side-saddle. Emily courageously led me on foot through the icy forests to Aunt Lil's, and we've been sharing bottle after bottle of mulled Martini Rossi since Sunday night.
A couple of Christmas treats for you then, a la Posie. Firstly, Laura Dekker, a 14 year old Dutch female has been found on a Caribbean island after running away from sexist bureaucrats who have been trying to stop her achieving the world record for the youngest individual to single-handedly sail around the world. The record is currently held by one Mike Perham, a 17 year old boy from Britain, and apparently the authorities intend to thwart Ms Dekker until she's old enough for it not to be a record, or until a younger boy comes along who's able to beat her. Well sod off, cried Ms Dekker, as she escaped from her captors and sassily sailed off to the Caribbean, proving herself to be both physically and mentally capable of the trip, as well as a feminist icon in the making. We've heard of the plight of Shakespeare's Sister - but what about Sir Francis Drake's? Or Columbus'? Let her sail - Elizabeth I would have and how cool was she?
Secondly, Rage Against the Machine are Christmas number one! I've never heard of them before, I think they're some kind of funk band, but isn't it great? Better than last year's Christian fundamentalist rip-off vom fest.
Finally, three cheers for Melody who is the first woman to walk the Channel Tunnel alone without informing the authorities. She's text to tell me that last night she became so bored of waiting in Folkstone that she parked her Merc in a privet hedge, slipped stealthily, like a fox, through the barriers, underneath a high speed train and into the Tunnel itself. She's just resurfaced in Calais and, having only stopped once for a quick pee beneath a signal, is resting in a refugee encampment and sharing her story with local would-be travellers. So not only has she beat the system, she's also helping to overhaul the Anglo-French fascist immigration policy. You go Melody! She's hoping to make it to Rouen by the evening clinging to the underside of a HGV.
So, hope you have a lovely time and all my festive kisses to you, wherever you may be, as long as you're not a Post-Feminist! xx
Well, the first few weeks (weeks? has it been longer? Massive delirium) of my self-analysis have been fraught with mishaps and misdiagnosis.
At first, it seemed my ego had formed a pathological identification of itself with a lost-loved object, later I seemed to have returned to a stage of anal-narcissism, for a little while I was concerned that I was cathecting purely onto imaginary unconscious objects (thus treating my own body as the object of the beloved) and most scarily of all I seemed to have ceased object-cathexis altogether and be floating in a state of schizophrenic bliss, converting latent thoughts to 'real objects'.
I ruled a father complex out at once because Daddy was such a dear, and besides he died when I was only three on the River Thames at Marlowe. Aunt Lily may of course have brought me up all wrong, but with Showalter I'm inclined to disregard Freud's thoughts on the narcissism and neurosis of homosexuality as just plain behind the times. Surely homosexual thoughts can't be evidence that I fancy myself? I nearly married Ann and she was nothing like me: much less attractive and rather stupid to boot.
I wish I could diagnose myself as an hysteric - feminists go crazy for the early divas of female hysteria, and Helene Cixous thought they were heroes, valiantly and quite reasonably responding to patriarchy's oppression. There's some wonderful stuff about Obsessional Neurotics in Freud and their strong reactions to the repression of ambivalent thoughts about loved ones (all the boyfriends I've secretly hated) but it doesn't fit - I'm too messy to have an OCD. It's a shame, as other hysterias are mostly caused by confused object-cathexis as a result of a faulty Oedipal repression (after the infant realises they're not going to have their wicked way with the mother/father, they quickly put it out of their mind at once and form an ideal image of the parents (Super-Ego) to act as a conscience against any other silly incestuous thoughts). Pathologies can apparently be caused by incomplete repression - Freud describes animal phobias in this way (eg. Wolf Man) as well as hysteric ticks or convulsions, which are the unconscious' way of expressing the chafing repression, which the conscious mind resists. I have been known sometimes to lash out at strangers or swear suddenly, but I'm not sure this qualifies as le grande hysterie. But, I'm disinclined to believe I got the Oedipal stuff wrong: it's so elementary. It would be embarrassing.
All that's left is psychosis, which is supposed to be brought about by the foreclosure of a primordial signifier, the Name-of-the-Father: a nice and complicated theoretical type condition, which also rejects universal patriarchal signifiers, a massive plus and very much up my street. Also, there's a withdrawal of libidinal energy from the outside world, which fits as my love life is dead at the moment. The delusional formulation (libido turned inward to ego and fantasy objects) makes an awful lot of sense as I can be a little self-involved, and Emmeline (my cat) tells me I live in a dream-world, which I always thought is absolutely essential for a great writer, like Tolstoy. I have cause to reflect on the period in which I wrote Me, Tim and my Quim (which was once to be made into a major Hollywood film, before the recession hit etc) and in all honesty I can say I must have been suffering from some pretty severe delusions: in the novel, I have a passionate and highly literary love affair with my psycho-sexual counsellor, while in reality I did not have any kind of affair with my psycho-sexual counsellor, though not for want of trying.
Unfortunately, psychosis is a rather indistinct condition, basically quite a lot like neurosis, and its existence has been contested. I don't want to be neurotic, as it reeks of desperation, and if it comes to that I'll just diagnose myself as perfectly sane and perhaps a little under-stretched intellectually in my current employment. That's the beauty of being a Lady Psychologist, readers!
SO I've been a little patchy recently in le blog as I've been having a psychotic episode. Or two. Or twenty seven. Probably since I've last web-logged there have been as many episodes of Hollyoaks as I've had psychic traumas, and that's including the Sunday round up and taking each portion of it as a stand alone episode, so probably about six in all I guess. And I don't even watch Hollyoaks.
Recently, you see, I've been writing my memoirs for publication on the divine Women's Parliamentary Radio, entitled A Year Off the Ward, which is an account of my admirable mental health in the last twelve months or so, and how through positive thinking, creative sublimation and vigorous self-medication I have managed to avoid a) suicide, b) self harm (sort of), c) stalking (again, sort of), d) violence, aggression towards the young, petty theft and arson (all except arson have been a little patchy I admit). Most importantly, I have avoided being sectioned since June 2007 and, like a repeat offender recently released from prison, the fact that I haven't been sent straight back within the month certainly calls for a celebration of the diazepam-and-white-wine-spritzer kind.
However, writing my memoirs seems to have plunged me into a relapse. Now I know what you're thinking lady readers, this should have sent me running to my blog, or encouraged me to compose a series of Mental Health Tweets, which would probably have me lambasted like the poor dear who wrote very sensibly about her miscarriage (did you see it? if not she said:
I'm in a board meeting. Having a miscarriage. Thank goodness, because there's a fucked-up three-week hoop-jump to have an abortion in Wisconsin.
Wonderful says Posie! I couldn't have put it better myself.) God knows what the modern middle class neurotic would do were it not for the ready opportunities to monetise one's disturbances. However, I thought that, with the book coming out, I'd keep my material 'fresh' as it were, and try to sublimate furiously through a series of monoprints of female saints castrating dragons figured as menstrual hallucinations (coming soon).
That having failed, I turned to my trusty Freud, the beloathed Father, to do a little self-therapy. I have, you see, run a little slow on the trust fund this season and, with no Christmas shopping done to speak of, need to prioritise my outgoings in order to buy those Jo Malone candles for Emmeline, and Aunt Lily's yearly kilo of Laduree fig macaroons. A therapist, therefore is out of the question, and as feminist critic Sally R. Munt rightly termed such bourgeois femmes as myself 'consumers of therapy', who pay £40 a week so that someone can tell us our thoughts are valid, I am happy to sacrifice this luxury for the greater good.
So, having briskly skimmed through Mourning and Melancholia, Totem etc & Freud's entire case notes on Hysteria (supplemented by readings in Elaine Showalter, the darling, so that I don't get too carried away). I am now to proceed with psycho-analysing myself. Keep updated for next installment! Emmeline is going to hypnotise me now.
28 Oct 2009
I've been Googling the hell out of women all this week and do you know that Tori Amos is a feminist?
Lady readers! I must apologise for my absence of late. I've been incredibly busy drafting A Year off the Ward, which looks set to be published but only on the condition that I first pen a serious exploration of the dumbest jobs for women in the UK. I know what you’re thinking
“This is Posie Rider- a middle to upper-middle class urban haute bourgeois lady writer with a trust fund large enough to purchase a small African country- why would she be writing an article on air-head jobs for women?”
Well readers, that’s kind of the point. The piece is designed to be incredibly shocking, namely because of my hostile reaction to employment opportunities miles beneath my superior intellect. For instance last week I spent a whole three days working in a ‘PR’ company in the ‘HR’ department, which mainly consisted of me ordering Marks and Spencer’s mince pies online and emptying packets of ready salted crisps into little bowls to go with the ‘dress-down Friday’ bar that opens each…Friday. God it was hell. My incredible brain hadn’t been so distressed since I got a B in my Art A-level. Those of you who have had the honour of seeing my incredible artistic offerings on this blog will know that such a claim is totally unfounded and the equivalent of stealing an ice-cream from a small child playing in the sunshine and possibly flashing your genitalia at her: perverted and wrong.
This week I’ve been working in an supposed ‘organic’ kitchen, which I thought would be a more pleasant pursuit, but how wrong I was (my toilet cleaner is more organic than the contents of their culinary offerings). When embarking upon a recipe for Sorrel, Leak and Venison soup I was rudely told to put down my chopping knife and start preparing some egg and cress sandwiches. Egg and cress sandwiches! This was a shop on the high street in Holborn (I sought a position in Borough Market but needless to say there were none available - sigh) but even in this run down cafe I was most shocked by the substandard eating habits of the masses. Next week I’m going to be a receptionist at a hair salon where, in order to fully embrace the role, I am required to peruse those awful publications that go by the name of Heat and Grazia.
However, once again (as with most of my literary purists) I do all this all in the name of great art. For upon completing this terrible article I have been guaranteed publication of my ground-breaking A Year off the Ward.
I (often) feel like a female Jesus! It really is too too much to bear the weight on womankind, and yet I go on... Toodles! x
So, I've been researching David Buss and it turns out he's the professor of psychology at the University of Texas, which explains A LOT.
Sadly, this also means that I will be unable to attend any of his lectures and confront him over his very sexist (and probably uninformed) claims about women in the bedroom.
In the mean time I am going to start drafting a very rude email accompanied by an excerpt from my up and coming scientific pamphlet: Dorian Lay.
Critics and academics throw all kinds of terms around - writer, lady-writer, feminist, post-feminist, journo, hack - I've heard them all, but I prefer to call myself 'woman' or 'Posie Rider', because that's my name.
You will no doubt recognise me as the famous author of The Suffragettes - Why? and the groundbreaking novel Me, Tim and my Quim. That's probably why you've stumbled upon this blog and want to hear my thoughts on Feminism, Literature and Herstory. But being this intelligent hasn't been easy: I've lived through Merlot fuelled nights and had my share of ink stained hands, sex and prescription drugs, but all that's kept me going is the power of words to change the world - forever!
Personal Appearances!
Coming UP!
I'm delighted to be attending the SoundEye poetry festival in Cork, Ireland 13-17th July, not least because I will be running my mouth (professionally, as a poet) but because some of my favourite writers will be attending! Hurrah!
Tom Raworth got stuck in the snow, but Justin Katko stepped up to read with nick-e melville, Sophie Stamina and myself on December 3rd in the City Art Centre, Edinburgh. The event was organised by the gorgeous Colin Herd (deets on Anything.Anymore.Anywhere. HERE. ) and we should expect more from this joyous reading series/journal.
Didn't everyone love Openned? On the 27th October 2010, at the Corsica Studios, we all won poetry!
I was overjoyed to be invited to read at the Scree 2 launch in Edinburgh on 15th September 2010. Read a review here! -
A big thank you to those of you who attended a reading of my poetry with other Freak Lung contributers, in honour of Barry McSweeney at the Morton Tower in Newcastle on Sunday 27th June.
Keep updated as to my Posie movements at posierider @ gmail.com !
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Let me know what you think of my posts! At the bottom of each post are three Feminist icons - just click on the one that best summarises your thoughts on my thoughts!
Translate: Pankhurst as Classic De Beauvoir as Hot, Hot, Hot! Boycott as A Whole Load of Wank.
See how I restructure your desires? Not so hard, is it? Click away sisters!
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Author of the 'Female Eunuch'. Brought the second-wave feminist movement to the UK.
Helene Cixous (1937-)
Feminist philosopher of 'female economy', 'female writing'
Angela Davis (b.1944)
Originally a civil rights activitst and Black Panther associate, now a professor, gay rights activist, anti-racist campaigner and feminist.
Andrea Dworkin (1946-2005)
Radical Feminist. Campaigned against pornography.
Valerie Solanas (1936-1988)
The woman who shot Andy Warhol, but more importantly the author of the Scum Manifesto
Betty Friedan (1921-1960)
Started the second-wave feminist movement in the USA. The author of 'The Feminine Mystique'
Simone de Beauvoir (1908-1986)
Author of 'The Second Sex'. Novelist, philosopher, lover.
Emmeline Pankhurst (1858-1928)
Militant Suffragette.
Mary Wollstonecraft (1759-1797)
Author of 'A Vindication on the Rights of Woman'. Mother to Mary Shelly. Died in childbirth.
Joan of Arc (1412-1431)
Catholic Saint burnt at the stake for being a woman. Refused to take off her 'male' clothing. Wielded a sword for France. Cut her hair. That sort of thing.
Queen Boudica (d.60/61 AD)
Queen of the Iceni tribe (UK). Led an army against the Roman Empire which killed 10,000 Romans in London!